Vladimir Tatlin and Naum Gabo Modern Art Essay -- compare, contrast, ar

This paper will explore Vladimir Tatlin and Naum Gabo differences on the mathematical function of the Avant-Garde artists and how their beliefs influence the kind of work they produced. A pioneer of Russian design Vladimir Tatlin is a representative of Russian Realism. He left house when he was fifteen and served on the shipboard. When he became a painter, he a good deal represented sailors in his pictures Art and culture in Russia after mutation was a tool for creating industrially aesthetical reality. Tatlins project The remembrance to the Third International (1920) one that so much can be considered an architectural work as a sculptural piece, it constituted by a spiral of iron that is expanded diagonally and enclosed by walls of glass of a much higher height to that of the Eiffel tower. It was never be into life, but this project shows that socialist order propagation was of primary fright for artists of the beginning of 20th century in Russia (Avant-Garde, Tatlin). Thus, in accordance with Tatlin, caravan artist transmits ideas of social reality of his modernity. In his project Tatlin wanted to radiate technological progress of post-revolutionary Russia. He was called artist of great culture, a line up master, who is a devoted worker for the proletarian revolution (Avant-Garde Abstraction in Constructivism). Tatlin, V. Model of the Monument to the Third InternationalNaum Gabo is another representative of Constructivism and in his Realist Manifesto (1920) Gabo claimed that it was relevant and in the spirit of an epoch to substitute nonmoving mass with a dynamic form. He said about himself making images to communicate my feelings of the world(Gabo, 1962). Gabo considered an artist as a talented master, who is up to(p) to catch up mome... ...sthetics and defends the liberty of creation he defends the subjective social occasion in the work of art, the conscious process of creation. In conclusion Vladimir Tatlin and Naum Gabo bedevil differen ces on the role of the Avant-Garde artist. According to Tatlin, avant-garde artist transfer ideas of social reality of his modernity and Gabo claimed that it was relevant in the spirit of an epoch to substitute static mass with a dynamic form. Even though both Tatlin and Gabos work were influenced by conceptually different beliefs their plant life are both represented abstractedly. Works CitedAvant-Garde Abstraction in Constructivism Vladimir Tatlins The Monument to the Third International. Available from Gabo, N. Of Divers Arts. New York Faber and Faber, 1962.