Technology - Digital Video and Copyright Fair Use Essay -- Exploratory

digital Video and Copyright mean(a) UseAbstract Video is one of the most compelling forms of communion of this time. Over the course of the past few years, the gradual but true drift from analog to digital in video applied science has non only improved the abilities of visual communication media to distribute data, but has excessively improved their abilities to pull strings the data that they distribute. Digital video technology has move on to the extent that still motion picture manipulation has been usurped by more sizeable technological developments that allow elements of a video image to be manipulated in real-time. That is, objects or persons in a video image can be edited out or edited in while the image is in broadcast without the slightest glitch to suggest that some change has carry onred everything would look for real. The advantages that this technology opens for visual media are extensive. Similar to some technologies, however, it opens up an consumptive ed ge. Pixels are plastic (can be changed) and using them to distort or manipulate reality is an opportunity open to all users of video manipulation tools. The morals of such uses and the social considerations of how secure laws would deal with a technology which manipulates digital works of authorship, works to which copyright automatically attaches, are issues worth considering. This motif explores the possible and actual, reputable and less reputable uses of this technology in an go about to stimulate discussions about how well-intended technologies can be utilized by users in unethical and harmful ways. The paper also attempts to see where possible infringements of copyrights just use doctrine has occurred or could possibly occur through use of this technology. A n... ...pinions. Despite the many issues connected to this technology however, the advantages it offers surpass any disadvantages seen thus far. References1. Amato, Ivan. Lying with Pixels, Technology Review, Cambridge, Jul/Aug 2000. p.61.2. pay heed mention 1 above.3. See reference 1, p.62.4. See reference 3 above.5. princely Philips Electronics, Imaging its digital future, Briefing, Volume 3, leave 2, article no. 19.6. See reference 1, p.64.7. See reference 1 p. 65.8. Samuelson, Pamela. Copyrights fair use doctrine and digital data, Association for Computing Machinery., Communications of the ACM vol. 37, Issue 1 New York, 1994. p. 22.9. See reference 8, p.23.Additional- Samuelson, Pamela. Copyright and Digital Libraries. (class material)http//web5.computer-select.com/csweb/session/329/331/ (Article - Free Video Hosting)