Essay --

Introduction (110/600 words)The White Cube impetus in London is known for its traditional approach to veranda space, as the name of the building implies, and is the approach most galleries around the world chance on for displaying work. The white walled, highly literature design is what many consider the optimal way to view imposture (insert quote) but since the rise of alternative exhibition spaces, the white walled gallery has been greatly challenged by media and nontextual matterists alike (insert quote). Most current galleries offer a neutral, private, timeless place to display and experience art but also creates a natural barrier between the earreach and the art. Alternative and makeshift galleries are becoming more popular.Christopher potassium 142/600Christopher Green is a young artist based in London, United realm and after completing university he and a group of artists he lived with created a gallery space inside their house and curated shows dissonant to the p ublic from 2006 to 2007. It is a unique venture as it is a gallery where the art is produced in the same space and it is being shown but it is not a studio apartment space. Over 11 months they exhibited and curated approximately 55 artists works in 9 exhibition shows. Although most of the house was in a state of cast down, the gallery area maintained a white walled, brightly lit area though some rooms of the old Georgian townsfolk house still contained white washed fireplaces that adds a certain region and human touch that is not necessarily seen in a vernacular gallery space. White Cubicle Gallery (221/600)The White Cubicle Gallery, turn up in the womens toilets of The George and Dragon, London, and it describes itself as an antidote to Londons sometimes extremely commercial art scene . It... ...ything as it should be, the right pieces of art in the right places, making sure information is correct upon yield and of course the galleries main purpose, selling art and also maki ng in stock(predicate) to the public for viewing, all of this now being done online as tumefy as on site. The appeal of the online gallery vs. the real life gallery is it is almost a simpler way to display work and project to earreach because you are more than projecting to a small group of people, online it is the unhurt world, for everyone that cannot go to The Museum of Modern Art you can see its collection online. And it is open for anyone to use, the restrictions of getting the right space and art and cost is not executable online, anyone can start a collection for an audience to view and it is the amass and curating of what you find into a selection is what makes it an online gallery.